Árainn
ón aer
Pic:
Rónán Mac Giolla Pháraic
|
Mar
atá i gcín lae Mhic Aonghusa – sceitimíní ar dhaoine ag an cruinniú spleodrach
spraíúil agus tuiscint acu go bhfuil eachtra áirithe ag titim amach – tá an
tuin chéanna le n-aireachtáil freisin, is dóigh liom, sna cuntais a mhaireann ó
Oireachtas 1913, féile a bhí ar bun i gcathair na Gaillimhe i ndeireadh mhí
Iúil na bliana úd. Ar na cuntais seo – a ainmníonn ceoltóirí áirithe, ina measc
an t-amhránaí Maighréad Ní Annagáin, an píobaire Denis Delaney, agus na
veidhleadóirí Mrs. Bridget Kenny agus Treasa Ní Ailpín – tá seod amháin ag
tarraingt cainte faoi láthair i measc staraithe na Gaillimhe, laistigh agus
lasmuigh den ollscoil: is é sin grianghraf atá céad bliain d’aois i mbliana, a
glacadh ag Oireachtas na bliana 1913 agus a foilsíodh sa nuachtán An Claidheamh Soluis. Coinnigí súil ar
na meáin mar go roinnfear leis an bpobal an grianghraf stairiúil seo sar i
bhfad. Cruthófar freisin deiseanna don bpobal ainm a chur ar na daoine sa
phictiúr nár aithníodh go dtí seo. Ní neart go cur le chéile!
* Féach
Ríonach uí Ógáin eag. ‘Mise an fear
ceoil’: Séamus Ennis – Dialann Taistil 1942-1946. Indreabhán:
Cló Iar-Chonnachta, 2007.
*
Oireachtas na Gaeilge is still drawing talk about how the revelers passed the time, not only
at last month’s festival in Killarney, but also in Dublin in 1945 and in Galway
in 1913. Don’t worry: I’m not going to divulge any secrets here! I mean simply
to release another recording that emerged from the festival and also to tip you
off about a fascinating story that is soon to be shared with the people of
Galway.
When
Máire Ní Dhioráin of Árainn – who featured in last month’s blog and in April’s blog – travelled to Dublin in October 1945 to attend the festival, I understand
that it was her first time in the capital. She took the opportunity to get to
know the city, visiting Howth and the Houses of the Oireachtas and attending a
hurling match – a sight rarely seen in Aran – in Croke Park (uí Ógáin 2009, 514).
She also visited various houses, that of Sorcha Ní Ghuairim on Wednesday night,
Séamus Ó Duilearga on Thursday night, and Jack Hughes in Dundrum on Sunday.
Among the people Máire met, who participated in the competitions and who
recorded discs for Séamus Ennis and his colleagues in the Irish Folklore Commission, were Máire Ní Cheocháin of Baile Mhúirne, Tadhg Ó Cuanaigh and
Diarmuid Ó Riordáin of Cúil Aodha, Seán Jeaic Mac Donncha, Seosamh Ó hÉanaí and
Beartla Ó Conghaile of Carna, and Conal (Condaí) Mhicí Hiúdaí Ó Domhnaill of
Rann na Feirste. The source of all this information is Séamus Ennis’ office diary
(NFC 1296: 374-9) and it gives us wonderful insight into the spirit and
celebratory tone of the occasion. It also helps to contextualize Máire’s performance
here; she was so excited that she forgot the words to the song An Páistín Fionn (National
Folklore Collection CT0260;
Máire Ní Dhioráin (23), Cill Éinne, Árainn, Co Galway. Collector: Séamus Ennis,
24 October 1945). My sincere thanks to the National Folklore Collection at
University College Dublin for permission to share the recording here.
The
tone of Ennis’ recollections – which conjure for us a sense of an exuberant and
thrilling gathering bristling with anticipation – is echoed in the surviving
accounts of Oireachtas 1913, which took place in Galway at the end of July that
year. Amid these accounts – which name some of the participating musicians,
including singer Maighréad Ní Annagáin, piper Denis Delaney, and fiddlers Mrs.
Bridget Kenny and Treasa Ní Ailpín – there is one prize jewel that has set the
hearts of Galway historians ablaze: a photograph taken 100 years ago at
Oireachtas 1913 and published in An
Claidheamh Soluis. Keep an eye to the media because this historic
photograph will soon be shared with the public, who will be given the
opportunity to help identify those that remain, as yet, unnamed. Ní neart go
cur le chéile!
*See Ríonach uí Ógáin
ed. Going to the Well for Water: The Séamus Ennis Field Diary 1942-1946.
Cork: Cork University Press, 2009.
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